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Exhibition Highlights Part 2

daisho_koshirae_edo_period

Daisho Koshirae from the Edo period

juyo_tensho_koshirae

Juyo Tensho koshirae

Exhibited at the Tokyo National Museum exhibition Uchi-gatana koshirae in 1980.


The following is a compilation of earlier post highlights, supplemented with confirmed exhibits and images. All of these works will be on display on Saturday 16th June at our educational events.

This is part 2 of 3 of our comprehensive list of exhibits, which will be published over the coming weeks. Even so, it is still incomplete and further exhibits will be added as they are confirmed.

Alongside the excellent display of Iron Tsuba, we will have some beautiful examples of soft metal workmanship.


O-Wakazashi Omi no  Kami  Minamoto  Hisamichi

Tokubetsu Hozon 2000.  

A member of the Mishina school, Hisamichi produced very individualistic work incorporating beautifully refined hada. This piece showcases his work at its best.

Several Higo koshirae from the Hosokawa- and Matsui-Family heritage with provenances of famous Japanese collections will be shown.

sword_sketch

Yamato Hosho katana

Juyo Token.

Yamato blades are rare, Hosho blades incredibly rare. In more than 35 years of collecting I have only seen one other Hosho daito and that was a designated Tokubetsu Hozon in Japan at the DTI. This is the first Juyo example I have ever seen.

wakizashi_joshu_jyu_kunihiro

Wakizashi : Joshu Jyu Kunihiro/Keicho 13 Nen 8 Gatsuhi

Juyo Token 52.

Kunihiro is regarded by many as one of the fathers of Shinto. This piece shows exceptional workmanship and it is easy to understand why it was awarded Juyo status.

katana_sakakura_gonnoshin_terukane_enpo

Katana: Sakakura Gonnoshin Terukane Enpo 9 Nen 2 Gatsu Kichijitsu

45th NBTHK Juyo.

Another stunning Shinto masterpiece by a smith that is too often overlooked.

naoi-shizu_katana_koshirae

Naoe-Shizu Katana and koshirae

The Naoe- Shizu school was founded by pupils of Kaneuji. Their work offers an interesting illustration of the transition from the early Yamato-Shizu work to the mature Mino style. This is an excellent example of their work.

It is shown together with its koshirae, which is of very high quality.

ishiguro_masayoshi_soroi_kanagu

Ishiguro Masayoshi soroi-kanagu

Juyo-tosogu March 25th 1987

Kacho-mushi no zu soroi-kanagu
(En suite Set of Flowers, Insects etc)Daisho-fuchi, mei: Ishiguro Masayoshi saku (石黒政美作)
Menuki, divided tanzaku-mei: Ishiguro – Masayoshi (石黒・政美)
Kozuka and kogai, mei: Jugakusai Masayoshi (寿岳斎政美)

This sword had been a heirloom of the Shimazu-Famiy (島津) for whom Masayoshi worked since the Edo period.

Watch out for next week's post, which will detail the special tsuba coming to Samurai Art Expo!

Posted on

Exhibition Highlights

The following is a compilation of earlier post highlights, supplemented with confirmed exhibits and images. All of these works will be on display on Saturday 16th June at our educational events.

This is part 1 of 3 of our comprehensive list of exhibits, which will be published over the coming weeks. Even so, it is still incomplete and further exhibits will be added as they are confirmed.

Alongside the excellent display of Iron Tsuba, we will have some beautiful examples of soft metal workmanship.

BizenFukuoka-IchimonjiYoshimune

Bizen Fukuoka-Ichimonji Yoshimune

"tokubetsu-jûyô-tôken" 28. April 2000
tachi: Mei  Yoshimune (吉宗)      (ca. Shôgen 正元, 1259-1260, Province Bizen)
with uchigatana-koshirae

There are few signed tachi by Yoshimune and this is the only tokubetsu Juyo example. Another one is Juyo bunkasai, which is the property of  Tsukubasan-jinja (Prefecture Ibaraki) and belongs to the ex-collection of the Daimyo Family Yanagisawa. Published.

"Aito Hyakka / Sen  -  100 swords of 100 collectors" Hayashi Eiroku / Schuppan Tokyo 1972

AwataguchiNorikuni

Awataguchi Norikuni

A daito with three attributions to the smith, including a sayagaki by Tanobe Michiro Sensei, in which he describes it as "A Master Work of the Kamakura period".
There are eight Norikuni blades on the Juyo register. Four of them are tanto, three of which have progressed to Tokubetsu Juyo. There are three Juyo bunkasai and three Juyo bijutsu-hin and one, a signed daito, Kokuho.

SadakatsuKogarasu-Maru

Sadakatsu Kogarasu-Maru

Made to celebrate the 2600th anniversary of the founding of the Empire.  It is a copy of the famous Heian period work of the same name.

MumeikatanaAoe
MumeikatanaAoe

Mumei katana attributed to Aoe

Designated Juyo Token at the 13th shinsa held in 1965.

The blade has a faint shu mei and a Sayagaki by Honami Kozon attributing the work to Aoe Tsunetsugu. The accompanying papers confirm this is a smith working at the end of the Kamakura period, not the ko-Aoe smith of the same name.

MumeiNaginataNaoshiShikkake

Mumei Naginata Naoshi attributed to Shikkake

Designated Juyo Token at the 46th Juyo shinsa held in 2000.

The blade has a sayagaki By Tanobe Michiro sensei describing it as "An important treasure from the beginning of the Nambokucho period."

MumeiO-suriagewakazashiEnju

Mumei O-suriage wakazashi attributed to Enju

Designated Tokubetsu Hozon.

Sekishi Naotsuna

Juyo Token.

Naotsuna is listed in some references as one of Masamune’s 10 brilliant pupils. Whether he studied under the master or not, his works show incredible Soshu influence.

Naginata Tachi. Mei: Hishu  Kawachi no kami  Fujiwara  Masahiro (Nidai)

Considered by many to be the best Masahiro, the Nidai was the contemporary of Omi Daijo Tadahiro and worked closely with him.

His work is of exceptional quality even when viewed alongside other Hizen work.